Like the US itself, the animation establishment was undergoing a period of change, and Fritz burst out from decades of censorship as well as this shift in the studio system. Antitrust legislation and the emergence of television combined to help dissolve the dominant studio system of Hollywood's "Golden Era". Audiences were increasingly disconnected from the "block booking" packages that the movie theatres were forced to show, where A-movies, B-movies, newsreels, and animated shorts were

อ่านต่อเพิ่มเติม> โรงเรียนบ้านวังตลับ

สาระน่ารู้> ฟันคุด

In 1980, Friday the 13th also breathed fresh life into the genre by daring to make its lead killer an ageing mother desperate to punish the cannabis-smoking, scantily clad councillors at Camp Crystal Lake, the place where her son Jason had previously drowned in their incompetent care. Betsy Palmer's Pamela Vorhees was possessed by a terrifying rage, whispering "kill her, Mommy" in Jason's voice under her breath. A year later, and Mommie Dearest, a biopic of Crawford herself that depicted her as a narcissistic

อ่านต่อเพิ่มเติม> โรงเรียวัดบางกระ

สาระน่ารู้> สุขภาพฟัน

However, 1950's Sunset Boulevard, and Gloria Swanson's starring performance as Norma Desmond, had proved the story of a scorned, delusional older woman could be powerful. And in the shadow of Alfred Hitchcock's enormously successful Psycho (1960), Warner knew that low-budget horrors centered around reclusive eccentrics, who carried baneful secrets, could still shake up audiences. If you believe 2017's Feud – Ryan

อ่านต่อเพิ่มเติม> โรงเรียนบ้านชัฏหนองหมี

สาระน่ารู้> ฟัน

from a universal audience". The same applied to music industry drama Empire (2015), which captured more than 17 million viewers in its first season. However, while these various successes have been "colossal from where we've come from, they still are crumbs and we need more of [them]," believes Carter

อ่านต่อเพิ่มเติม> โรงเรียนบ้านหาญสำราญ มิตรภาพที่ 207

สาระน่ารู้> แอปเปิ้ลไซเดอร์

they were "getting to see black lives that weren’t impoverished, they were just living". As Woods puts it, too, "black people are part of the mission, but we don't get to lead the mission too often", so seeing them at the forefront of the action was welcomed – especially within the context of the Marvel universe, which at the time had been criticised for the fact that black characters such as Colonel James Rhodes in Iron Man

อ่านต่อเพิ่มเติม> โรงเรียนบ้านหนองขนาก

สาระน่ารู้> ผลิตภัณฑ์น้ำมัน

Cannibal Holocaust is just one of many Italian films of the 1970s and 1980s that have white Europeans venturing into jungles and risking being the main ingredient of a nutritious stew. And Calum Waddell, whose documentaries include Eaten Alive! The Rise and Fall of The Italian Cannibal Film (2015), and Searching for Cannibal Holocaust (2021), has managed to watch them all. "The trend draws from what author Eric

อ่านต่อเพิ่มเติม> โรงเรียนบ้านบึง(สันติมโนประชาสวรรค์)

สาระน่ารู้> ธรรมชาติ

The emergence of independent, experimental, subversive films, together with changing social attitudes to young people – who started to see themselves as teenagers and students with rights – meant that Fritz the Cat arrived at exactly the right time. "Fritz is like Impressionistic painting; he let the edges show," says Furniss. "[Bakshi] defied people to say, 'that's cheap' or 'that's rough'. That was what he wanted. It's gritty, and that's what life was like, and that's what teenagers were feeling at the time: 'this is

อ่านต่อเพิ่มเติม> โรงเรียนบ้านวังตลับ

สาระน่ารู้> chromosome

A blazer-clad student called Fritz attends drug-fuelled orgies, steals guns from corrupt cops, sets his college on fire, finds himself in the middle of a race riot, and blows up a power plant. These outrageous moments would have pushed boundaries in any number of grindhouse exploitation films, but this student was a cat, and the star of the very first X-rated animated film – decades before the likes of South Park hit our TV screens. Fritz the Cat, a bawdy 1972 rampage through New York's underworld, is the work of Ralph Bakshi, a legendary but equally divisive cult cartoonist who has never

อ่านต่อเพิ่มเติม> โรงเรียนวัดเพ็ญมิตร

สาระน่ารู้> โครโมโซม

But beyond all this gossip and conjecture, the most significant legacy of What Ever Happened To Baby Jane? can be found in the films it spawned. In the years following its release, Hollywood started producing a string of so-called "Hagsploitation" movies, which like Baby Jane, provided veteran actresses including Barbara Stanwyck, Tallulah Bankhead, Shelley Winters and Debbie Reynolds with villainous, yet deliriously camp roles within horror that ensured their careers could keep on rolling. (This sub-genre has

อ่านต่อเพิ่มเติม> โรงเรียนวัดเขานางเภา

สาระน่ารู้> โครโมโซม

What's more, black people are not "monolithic", emphasises Gauyo, and "more stories from "different [black] perspectives" would be welcomed. Genai would like to see a greater amount of everyday stories that reflect contemporary black life and feature relatable, flawed characters alongside the narratives rooted in fantasy and make

อ่านต่อเพิ่มเติม> โรงเรียนวัดควนสูง

สาระน่ารู้> โครโมโซม